2009年11月24日

[聯展] 27屆桃源美展



◎作品展覽

11/19(週四)至12/13(週日)

文化局桃園館:(二) -(日)9:00-12:00;13:00-17:00

文化局中壢館:(三) -(日)9:00-12:00;13:00-17:00

2009年9月1日

[聯展] The Longest Distance



The 10th Anniversary of The Winston Oh Travel Award 

Opening Date, Time & Venue:
Wed 2 Sep 2009, 6.30pm, Earl Lu Gallery (B1-02)

Date:
Thu 3 Sep - Tue 22 Sep 2009

Time:
10am - 6pm (Closed on Mon)

Type:
Exhibition

Venue:
Praxis Space (H101), Project Space (G101) & Earl Lu Gallery (B1-02), LASALLE College of the Arts
Admission: Free.

2009年8月17日

九十八年度鷄籠美展得獎名單

Nocturne in Black and White / 46 x 137cm / ink on rice paper /  2009 / private collection
(Excellence Award, Keelung Fine Arts Exhibition, Taiwan)


今年初完成的水墨作品

取材自台北的師大路

算是第一次試類似全景的構圖

不是自信之作

很多地方都覺得不夠好

辛運地得了今年度基隆市雞籠美展的優等

實屬意外 

也要感謝評審的肯定

"此作"城市之夜"呈現強烈之黑白對比, 天空的黑與建築物的"白"比例適宜, 墨韻亦充分展現, 頗能掌握水、墨、宣紙之間之特殊效果與韻味, 誠屬難得佳構也。"

--評審 蔡友老師

2009年8月6日

第27屆桃源美展複審結果公告


Rainy Night in Black and White / 137 x 70cm / ink + acrylic on rice paper / 2009 / private collection

得獎作品將於今年11月在桃園縣文化局展出約4週



第27屆桃源美展複審結果:



水墨類

獎項   編號   姓名  作品名稱
第一名   A16     姚淑芳     純真就是力量

第二名   A23 林宜邠  隱諱

第三名   A54     錢瑞英  空與滿

佳作   A17     林葆靈     巷口‧夜雨 

佳作   A26     陳真美  養生主

佳作   A28     傅國禎 反迫遷,挺樂生 嗎? 

佳作   A38     廖述麟  大地英豪

佳作  A66     張美玲      幻境系列之魚兒水中游

入選   A08  賴秋美  尋來的寶寶

入選   A27 劉得興  濛之境

入選  A31  李怡慧 肢體語言

入選   A32     廖春美  野架雀語

入選   A34     李蕢至  紅眼球

入選  A43     黃秀琴 神祕悠境

入選   A44  張菁蓉  金秋

入選   A57  陳瑞鴻  生命系列(三)

入選   A65     李驊津  戲水

   

2009年7月25日

2009北縣美展與其它


2009北縣美展
8月6日-8月30日@台北縣藝文中心(台北縣板橋市莊敬路62號)
我也有一幅水墨作品展出

歡迎批評指教:)
Bright Lights / 93 x 70cm / ink on rice paper / 2009 / private collection






































2009年6月21日

[轉貼賽訊] 世界漫畫大獎賽


世界漫畫大獎賽

主辦:日本講談社《週刍morning》雜誌



作品大徵集



每週發行40萬部的日本最受歡迎的青年週刊漫畫雜誌《MORNING》,已創刊超過25周年。創刊以來,本雜誌陸續推出了《浪客行(Vagabond)》、《Kami-no-shizuku》、《沉默的艦隊(The Silent Service)》、《醫界風雲(Say hello to BLACK JACK)》、《小恐龍阿岡(GON)》等大受讀者歡迎的作品,常給日本社會帶來很大的“社會性的影響”。為了挖掘人才、突出新秀,《MORNING》雜誌社現向世界各地的讀者廣開大門、招賢求才,開展盛大的大獎賽活動。



截止日期 2009年12月31日(以當地郵戳為准)



大獎賽設一等獎1名,獎勵5000美金,二等獎2名,各獎勵2000美金。 另外,獲得一等獎的作品將刊登在每週發行40萬部的日本最受歡迎的青年週刊漫畫雜誌《MORNING》,或特刊《MORNING 2》上。之後,還將由《MORNING》的優秀編輯擔任主編來協助製作得獎者的漫畫創作。而且,對獲大獎後的得獎者的作品也有可能得以刊登在《MORNING》或《MORNING 2》、或者以單行本的形式在日本和其他國家發行。(不過,一等獎也有可能空缺)



獲得二等獎的作品也有可能由我們的編輯人員擔當主編,刊登在週刊漫畫雜誌《MORNING》、《MORNING 2》,或網路週刊漫畫雜誌《MORNINGMANGA.COM》上。

請仔細閱讀下列征集事項,凡參加應徵的作品都被認為是作者已經同意下面的事項。 



【1】作品內容 



不限國籍。但要求是12頁以上50頁以下的未在商業性雜誌上發表過或未作為單行本發售過的作品。



【2】畫法



作品可在任何紙張上用任意的畫具繪製。彩色黑白均可(但是,即使是彩色作品在《MORNING》上刊登時未必是以彩色的形式刊登)。順便注明一點,在日本,漫畫通常都是用B4大小的紙、以黑筆勾畫的形式畫在270×180毫米的框內。

可用CD-R和其他電子媒體的形式參賽,但是必須同時附上列印好的作品。

正文請用您的母語、英語或日語(用易看懂的字)書寫。



【3】評審委員會: MORNING 國際漫畫評審委員會(Morning International Comic Competition Committee) 



【4】徵集方法



郵寄地址:〒112-8001

日本國東京都文京區音羽2-12-21 講談社 《MORNING M. I. C. C.》編輯部 (不可以對方付款的方式郵寄) 請隨信附紙注明您的地址、姓名、年齡、職業、電話號碼、郵件地址、簡歷等。

另外,參賽者所提交的稿件恕不退還。

請作者自行保留底稿。


【5】獲獎作品(一等獎和二等獎)的雜誌刊登權屬講談社獨有。講談社不僅擁有選擇將獲獎作品以單行本的形式發行或在網路上刊登的單獨決定權,並且還擁有其他所有的二次使用權及附屬權利的單獨決定權。講談社是否行使前述的權利及決定權,要由講談社內部裁定。

【6】應徵者要保證應徵作品是完全由本人創作且健康合法的,並且沒有侵害第三者的任何權利。如果由於應徵者不遵守本項規定而使講談社因此而受到的任何損失都要由應徵者進行賠償。

【7】大賽結果揭曉時間 將於2010年3月左右發表在《MORNING》的網路週刊漫畫雜誌《MORNINGMANGA.COM》上。 





消息來源: http://e-morning.jp/micc/





INTERNATIONAL MANGA COMPETITION

presented by Weekly Morning, Kodansha, Japan



Competition entries being accepted now!



Morning, with a weekly circulation of more than 400,000 copies and more than 25 years of history, is Japan's largest and most prominent comic magazine for mature readers. Since its very first issue, the magazine has been host to such megahits as Vagabond, The Drops of the Gods (Kami-no-shizuku), The Silent Service, Say hello to BLACK JACK, and GON, and has had continual and significant influence on Japanese society. We are currently broadening our horizons by holding a competition across the globe in order to seek out and develop new talent.



Deadline - last acceptable postmark/backstamp on December 31, 2009.



Grand prize - US $5000, with two second prizes of US $2000 each.

The grand prize winning entry will be published in the pages of Morning or a special issue of Morning 2 magazine. In addition, the most experienced Morning comics editors will be assigned to the creators of the winning submission to assist in the development of their works. The winning entry and other work from the winning author may also be eligible to be published as independent comic books in Japan and elsewhere. Editors will also be assigned to the two second prize winners, whose entries may potentially be published in Morning, Morning 2 or on our companion website, MORNINGMANGA.COM. (The selection committee also reserves the right not to award a Grand Prize if no entry is deemed a winner.)



Please refer carefully to the following terms. It will be deemed that you have agreed to all of them upon entry.



[1] Comics' content Submissions ...must be at least 12 pages and not more than 50 pages, ... ...will be restricted to a minimum of 12 pages and a maximum of 50 pages, ... not published in commercial magazines, nor as books or anthologies, in any country.



[2] Rules of illustration



Comics on any type of paper, using any kind of drawing tools, will be accepted. Both color and black-and-white will be accepted. However, pieces accepted in color may be published in black and white in Morning magazine. For reference: comics in Japan are normally drawn on B4-sized paper, in black ink, in a 270mm x 180 mm frame. Submissions may be on CD-R or other digital storage media, but we request that printed copies be included with such data-based entries. Text should be in your native language or Japanese, and should be written clearly.



[3] Selection committee: Morning International Comics Competition Committee 



[4] Method of Application

Send submissions to:

Kodansha Morning M. I. C. C.


2-12-21 Otowa


Bunkyo-ku


Tokyo


112-8001


JAPAN



Please ensure that you include your name, address, age, occupation, telephone number, e-mail address and CV with your entry.

Entries cannot be returned.

We recommend that you keep a copy of your entry.


[5] Kodansha Ltd. will automatically obtain the exclusive right to publish all prize-winning works (whether for grand prize or secondary prizes) in magazines, and the exclusive option to exercise the right to publish and/or exploit said works in independent books and on magazine websites, as well as the exclusive option to all other secondary/subsidiary rights with respect to the said works. Kodansha Ltd. will determine whether or not to exercise all foregoing rights and/or options under its sole and absolute discretion.

[6] You must warrant that your entry (comic work) is completely original and of your own creation, All content therein must be accurate and lawful, and not harmful, libelous or defamatory to, or infringing upon the rights of any person or entity in any way. You will be obliged to indemnify any damage Kodansha Ltd. may suffer as a result of any inconsistency with the foregoing requirements.

[7] Release of results: results will be announced on the Morning website (MORNINGMANGA.COM) around March, 2010.

2009年6月18日

[委託製作]Commission for Hotel project: part 2

oil and acrylic on canvas / 55 x 350 cm / 2009 (collection of  Citadines Singapore Mount Sophia)

新加坡的旅館,Citadines Singapore Mount Sophia委製的畫作完成圖

到時將會與我的另一幅畫作

一同掛在他們的Breakfast Lounge

2009年6月15日

[水墨] 巷口夜雨

Rainy Night in Black and White / 137 x 70cm / ink + acrylic on rice paper / 2009

 ( Merit Awardt of the 27th Taoyuan Fine Arts Exhibition,Taiwan) 

第27屆桃源美展水墨類佳作


2009年6月14日

[推薦] Beyond Realm - A Solo Exhibition by Arnewaty

Beyond Realm – The ‘Pelagic’ Series

A Solo Exhibition by Arnewaty

Local Artist-in-Residence of POST-MUSEUM

107 + 109 Rowell Road, S (208033)

Tuesday to Friday: 6 - 10pm   Saturday to Sunday: 12 - 10pm

Opening reception 18th June 2009, 7.30pm to 9.30pm
Exhibition runs from 19th June till 5th July 2009 

[推薦] Flux Technicolour- a Solo Exhibition by Ian Woo






Ian Woo / The Angel That Slept And Woke Up In A Time Machine

Acrylic on canvas / 160 x 170 cm / 2009

(image source: http://www.fortunecookieprojects.com/projects/splash)



Ian Woo - Flux Technicolour



28 May - 20 June 2009



39 Keppel Road #02-04

Tanjong Pagar Distripark

Singapore 089065



Fortune Cookie Projects presents an exhibition of new work by Singaporean artist Ian Woo. His seemingly free-form improvisations belie a highly disciplined architectonic.  Using pattern and colour he creates a series of imaginary worlds, landscapes and allegories that allow the viewer to make his own choices and his own discoveries.



A lecturer for Postgraduate Studies at Lasalle College of the Arts, Woo has exhibited extensively throughout Asia.  His work can be found in corporate, private and institutional collections around the world.





Artist's Statement



'The title Flux Technicolour comes from a reference to the idea of a continuous presence of fluctuating changes in both colour and forms that affects the gravity of the paintings.  I think about temperature and quality of light quite a lot when applying colours to a painting.  I also have this fascination that the painting is an imaginary light box, where structure, substance, colour co-relate to become matter. I like to pretend that the painting is like a film still from some imaginary cinematic experience.'






更多詳情>> http://www.fortunecookieprojects.com/





click for more images>>http://www.fortunecookieprojects.com/projects/index/30 



-------------------------------------------------------------------------------------------------------------------------



老師胡耀光(Ian Woo) 的最新個展

作品看起來依然很有趣

畫題也很令人聯想浮翩

如上圖的

The Angel That Slept And Woke Up In A Time Machine

(或可譯為: "在時光機裡睡覺與醒來的天使")

可惜無法看到原作

大家如時空條件許可的話

不妨去看看吧





2009年4月12日

2009年4月5日

[委託製作]Commission for Hotel project: part 1


draft

新加坡新開幕的旅館
Citadines Singapore Mount Sophia委託我繪製一幅350x55cm的畫作


主要就是描繪他們的旅館及其周圍的環境在夜晚時的樣貌

上面這張是草圖

2009年3月16日

[水墨] Bright Lights


Bright Lights / 93 x 70cm / ink on paper / 2009

((Honorable Mention,  The 21st Taipei County Fine Arts Exhibition))

民國98年【臺北縣第21屆美術展覽會】水墨類入選作品






2009年3月14日

[隨談] 創作接案



看了Winni的網誌文章 : "接案‧設計‧創作‧夢"

感覺該文對有志從事創作接案的新手來說是蠻實用的

提出了為免權益受損

接案時所應注意的一些重要事項

值得推一下

2009年2月23日

[比賽] Oshima International Handmade Picture Book Contest 2009‏




ink on paper / 2009



 日本射水市大島絵本館一年一度的國際繪本比賽又來了

2009年5月31日截止



報名表/簡章<<



詳見: 



OSHIMA PICTURE BOOKS OF MUSEUM



Phone +81-766-52-6780



Fax +81-766-52-6777



E-mail ehonkan@po9@.canet.ne.jp

 



 

2009年2月20日

圓珠筆速寫練習





何懷碩老師

江明賢老師常說台灣(學美術)的學生不夠用功努力

常強調多畫多練習的重要

(他說他學生時期一個學期可畫百多張!)

並說年輕時各種題材都要畫

不該"偏食"



2009年1月29日

Beppu Asia Biennale of Contemporary Art 2010

(日本)別府亞洲繪畫展徵件(2009年7月25日截止)



主辦:

Beppu City

Beppu City Board of Education



Beppu Art Museum

1-1 Shoningahama-cho,

Beppu, Oita 874-0023

Japan



Tel/Fax: 81-977-67-0189

E-mail: art.mus@city.beppu.oita.jp

URL: http://www.city.beppu.oita.jp/ →English



詳情見>>http://www.city.beppu.oita.jp/03gyosei/asia-art/2010/english/bosyu.html



(1) Regulations of the Work to be Entered



1. The work should be a painting which can be hung on the wall. The work should not have been displayed in any previous competitions. Images on videotapes etc. will not be accepted.

(參賽作品需為繪畫且可掛在牆上。不接受先前已在比賽中展出過的作品亦不接受錄像之類的作品。)



2. The minimum size of the work should be 91cm x 91cm, and the maximum size should be 162cm x 162cm.(Not less than 91cm and not exceed 162cm in any direction) The total weight, including the frame, should not exceed 30kg.

(作品最小需為91 x 91 公分,最大不超過162x162公分,重量(含框)不超過30公斤)



3. Works that pass the 1st screening must be framed for protection when being shipped to Japan. Acrylic frames are allowed, but glass frames are not allowed.

(通過初選的作品需以壓克力裝框保護,運送到日本。不接受玻璃裝框。)



4. Works that make a noise, omit offensive smells, exude fluid, are liable to be transformed, are unable to be hung on the wall or are considered a danger to visitors will not be accepted.

(不接受會產生噪音,散發異味,滲出液體,容易變形,無法掛在牆上的或會對觀者造成危險的作品。)



5. The organizer reserves the right to refuse any work not considered appropriate for display.

(主辦單位有權拒絕任何評定為"不合適/不妥當"的作品的展出。)





(2) Theme of the Work(

 作品主題)

There is no particular theme.

(主題不限)

(3) Eligibility

(參加資格)

Entrants must be at least 15 years old as of March 31, 2006.

No restrictions to the nationality of artists entering the competition.

(在2006年3月31日時為15歲或以上, 國籍不限)

(4) Number of Entries

(參賽作品數量)

1 work per person

(一人一件)

(5) Entry Fee(報名費)

Free of Charge

(免費)

* Entries that do not abide by the above entry regulations may not be accepted or not qualified for the screening.



How to Enter(1)Preliminary Online Entry

Entrants are required to register on the Preliminary Online Entry within the entry period, March 1 - July 25, 2009. Click the button below and register by no later than July 25.

After registering on the Preliminary Online Entry, the entrants must enter the competition officially by sending the Entry Form together with the CD and the photos of the work.

*1 Please print out your Preliminary Online Entry confirmation page, write your ‘Preliminary Online Entry Number’ in the top-right corner, and include it in the entry material. Please write your number on the Entry Form A & B, and include it when contacting us through e-mail.

*2 Information for the Preliminary Online Entry should be identical to that on the Entry Form, as it will be used for the database of the screenings. Your information will be used solely for the purpose of this exhibition.

(2) Official Entry (Submission of Entry Form, CD and Photos)

Send us the Entry Materials (Entry Forms A& B, 6 Photos and 1 CD) to the address below within the entry period, April 1 - July 31, 2009.

* Entry by e-mail will not be accepted.

* Entry Form is available here. Click the button below and download the entry form.



* (PDF) When not displayed, download Adobe Reader.

1. Entry Forms A and B

Fill out Entry Forms A and B in English. Type or print clearly.

Please fill in your Preliminary Online Entry Number in the designated area.

Read the Entry Form carefully. Entrants must sign their names/date at the bottom of Entry Form B.

* Inappropriate entry materials missing signature/date or with illegible handwriting etc. will not be accepted.



2. 6 Photos of the work

Prepare 6 Photos of the work (2L size: 13cm x 18cm). Attach 1 photo to Entry Form A, and enclose 5 in the envelope.

Label the back of each photo with your Preliminary Online Entry Number., the title of your work, your name, and ‘up’.



3. 1 CD-Rom containing the image of your work (Please observe following rules.)

Computer used for the screening is Windows, so CD-R should be Window format.

The file must be in “JPEG” format.

Submit one image in CD-R, and the Data capacity must be 1.5MB or less.

The image dimensions should be 2048 x 1536 pixels or less.

Name your file with your “Preliminary Online Entry Number”.

On the surface of the CD-R and its case, write your Preliminary Online Entry Number, the title of your work, your name and country.

The image in the CD-R and the original work should be identical in color tone etc.

The edited images are considered invalid entry.

Before submitting the CD-R, make sure to run it on the PC to test its readability.

*1 In cases where entry materials (Entry Forms A&B, CD and 6 Photos) are incomplete, entry will not be accepted.

*2 Please note that entry materials will not be returned under any circumstances.



(3)Mailing Address

“THE BEPPU ASIA BIENNALE OF CONTEMPORARY ART 2010”

Beppu Art Museum, 1-1 Shoningahama-cho, Beppu, Oita 874-0023 JAPAN

Tel/Fax: 81-977-67-0189

(4)Entry Period



Wed. April 1–Fri. July 31, 2009

Entry materials (Entry Forms A&B, CD and 6 Photos) must arrive by no later than July 31, 2009.

*1 Entries received after the deadline has passed will not be accepted under any circumstances.

*2 We will not inform the entrants of the arrival of their entry materials.

Screenings(1)The 1st Screening (Screening of CDs/digital images)

Date: Sun. Sep. 6, 2009

The judges will examine the CDs (digital images) and the photos of the works entered from abroad.

* The organizer will contact the entrants whose works have passed the 1st Screening. Only the works that have passed the 1st Screening are qualified for the 2nd Screening.

(2) The 2nd Screening (Examination of Actual Works)

Date: Sun. Nov.1, 2009

The judges will examine the actual works of both from within Japan and from abroad.

Panel of JudgesHead Judge: Mr. Koichi Yasunaga

        Adviser, Fukuoka Asian Art Museum

Judge: Mr. Koji Kinutani

        Professor, Tokyo University of the Arts

Judge: Ms. Aomi Okabe

        Professor, Musashino Art University

Judge: Mr. Mey Etoh

        Professor (ret.), Beppu UniversityResult AnnouncementThe results of the Screenings will be announced on this website approximately 10 days after each screening date.

* We will not inform individual entrants of their results. We are unable to answer individual inquiries of any nature whatsoever by phone or e-mail etc. PrizesGrand Prize ×1 2million yen

The Mayor of Beppu Prize ×1 1million yen

Asia Prize ×1 1million yen

The Beppu Art Museum Prize ×1 300000 yen

Special Judge Prize ×1 300000 yen

Excellence Prize ×3 200000 yen

Encouragement Prize ×2 100000 yen

Selected Works 60-65





(無責任中文翻譯by葆靈)

-----------------------------------------------------

點此看2007年的得獎作品



點此看2005年的得獎作品



點此看2003年的得獎作品



2009年1月17日

Vermont Studio Center (美國 佛蒙特洲)藝術家進駐申請




Introduction to the Vermont Studio Center (Vermont Studio Center的簡介短片,環境實在優美啊)

Sixteenth Annual Asian Artist Fellowships">   (第16屆年度亞洲藝術家獎助金,fellowship很難翻譯,姑且譯為獎助金)

Sponsored by the Freeman Foundation (由Freeman基金會贊助)


Application Deadline:  April 1, 2009.(截止日2009年4月1日,截止日前須寄達)


Download printable Application Form. (點此下載報名表)



For 2009/2010, eleven outstanding mid-career visual artists will be selected for 2-month
VSC Residency Awards by a distinguished independent jury. One artist plus two alternates will be chosen from each of the following countries; China, Hong Kong, Indonesia, Japan, Korea, Malaysia, the Philippines, Singapore, Taiwan, Thailand, and Vietnam. (竟然稱香港和台灣為國家, 中國政府看到了該會不悅吧 哈哈)


(2009/2010年, 將從所有參賽選者中挑選出11位傑出的視覺藝術家基本上從 中國, 香港,印尼,日本,韓國,馬來西亞,菲律賓,新加坡,台灣,泰國和越南,11國中各選出一位) 



(申請人的英文程度如不是太好也可申請,那不是評選的標準之一.)


Fellowship Winners receive: (得到獎助金的藝術家可得:)



 - 8-week VSC Residency (在
Vermont Studio Centre 8星期的駐期) 

 - Private studio space (個人工作室空間)

-  Housing/Food (食宿)

-  Round-trip air trave (來回機票)

-  Art materials allowance (材料費)

-  Shipping allowance (運費)

-  Stipend  (零用錢)

-  Optional trip to New York  (非強制性的紐約之旅, 應該是可選擇要不要去)


- an exhibit in the Red Mill Gallery(展覽)

To apply please print the application form below and mail it to VSC (Vermont Studio Centre) 

 

SUPPLEMENTARY MATERIALS



Please attach the following:

 

1. a copy of your current resume 3

2. the names, addresses, and telephone numbers of three references.

3. up to twenty slides or digital images of your current work (the first 5 slides will be projected; please mark them 1-5; see example to the right). Slides    

   should be mounted in cardboard or plastic mounts, without adhesive labels.

4. inventory list with each work’s size, medium, year and title information.

5. international postal coupons and a self-addressed envelope if you want your slides returned. (Catalogues, books, and other materials will not be returned.)


申請方法:填妥申請表連同:



1. 個人履歷

2. 3位聯絡人(了解/熟悉你作品的人)聯絡人的資料(姓名,地址,電話)

3.  作品幻燈片(或數位圖檔JPEG) 5張(最多可寄20張,但評審只會看5張)

4. 作品清單 (列明作品名稱,媒材,尺寸,完成年份)

5. 國際信件預付郵資券以及回郵信封 (如想要他們退還幻燈片. 畫冊,書本之類的將不退還)



寄到
Vermont Studio Centre


2009/2010 Freeman Application Form (pdf)(<--申請表


Vermont Studio Center: http://www.vermontstudiocenter.org/




Freeman Asian Fellowships是專給亞洲藝術家申請的

VERMONT STUDIO CENTER還有許多其他的fellowships

如:Wheels for Wheels Award是專給需要用輪椅或脊椎受傷的藝術家/作家申請的

截止日:2009年2月17日(截止日前須寄達) Pollock-Krasner Award是給視覺藝術家(繪畫,雕塑,圖像,複合媒材,裝置)申請的

詳見: http://www.vermontstudiocenter.org/fellowships/





連絡Vermont Studio Center:



VERMONT STUDIO CENTER

Post Office Box 613

Johnson, Vermont 05656


UPS/Shipping Address:

80 Pearl Street

Johnson, Vermont 05656


Phone: 802-635-2727

Fax: 802-635-2730

www.vermontstudiocenter.org


General Inquiries:

info@vermontstudiocenter.org


 


 (無責任中文翻譯by葆靈)


2009年1月10日

[水墨] 淡水&碧潭風景畫




Tamsui #3 / ink on rice paper / 58 x 90 cm / 2008

小時候有沒有去過淡水(Tamsui)

已不記得了

淡水的景色還算是蠻不錯的

(捷運可直達也蠻方便的)

有山有水有鷺鷥

有船有高腳屋

天空很大

視野很遼闊

和大家一起在淡水寫生

還蠻愉快的



寫生

在當代有沒有價值之類見仁見智的問題

就先放一邊吧

2009年1月2日

[小品圖] 胖達來了
























mix media / 2009

胖達來了


其實去動物園重要的是跟誰去 朋友說

也是吧

但如果意識到動物園其實算是拘留所的話

參觀時多少也會感到沉重吧

對於

沒能力改變的那些不美好

不知道該是最好的


2009年1月1日

Happy2009













































mix media / 2008


如果要快樂的話

就要真正的快樂啊


------------------------

在這種時刻

總是會想起朱自清的《匆匆》

隨著年齡增長

對這篇散文更加有所感觸

深有共鳴