南美館月訊 ：林葆靈作品《有摩天輪的夜景III》介紹｜Tainan Museum of Fine Arts Monthly Newsletter - Featured Artist: Lin Bao-ling “Nocturne with Ferris Wheel III”

南美館（Tainan Museum of Fine Arts)月訊 ，2016年6月號刊載介紹了林葆靈與其作品

The June 2016 issue of the Tainan Museum of Fine Arts Monthly Newsletter featured Lin Bao-Ling and his work.

( ↓English version below)

很榮幸能獲得南美館（Tainan Museum of Fine Arts）月訊的報導與介紹。 能被這樣的學術機構刊物介紹，對我而言是一份珍貴的肯定。文章雖刊載於學術機構的刊物中，文字卻不艱深晦澀，而是以平易近人的語言介紹，讓更多讀者能輕鬆認識我的創作。

感謝南美館的介紹與報導。

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南美館月訊 ，2016年6月號刊載介紹了台灣藝術家林葆靈與其畫作《有摩天輪的夜景III》
The June 2016 issue of the Tainan Museum of Fine Arts Monthly Newsletter featured artist Lin Bao-Ling and his painting

林葆靈

曾於2011獲得金車新銳油畫獎首獎的林葆靈，由流動的光影描繪細節模糊、彷彿轉瞬即逝的地景，藉此投射自身內心感受，以及微帶神秘的精神氛圍。象徵現代文明進步的人造光，被使用在能夠帶給人們幸福感的遊樂園設施上，猶如閃爍發光的夢想實現之地；然而人造光雖能帶來希望與繁華, 背後卻奠基在環境與資源的消耗·以及商業消費的美化包裝，故而如同光和影的對立辯證，林葆靈也在作品中試圓呈現令人百感交集的複雜情感。

作品雖為平面繪畫，但林葆靈在兩個層面試圖突破繪畫既有的陳規與限制，其一，他選擇使用製圖膠片取代傳統畫布，由不易親水的塑膠材料所製成的製圖膠片，表面吸附顏料的效果較弱，再加上藝術家將顏料稀釋，故而顏料極易於膠片表面上自由流動，打破了受限於由尺規所構成的直線、曲線線條；其二，林葆靈借助攝影能夠捕捉肉眼所無法觀察到的景物細節以及光的軌跡等視點，來獲得作品中的主題畫面，除了取得遺漏的真實之外·也將流逝的時間記憶，與處理空間層次的繪畫相為結合。

林葆靈/有摩天輪的夜景III(局部)

複合媒材、製圖膠片 61 x 76cm 2013

👉點此瀏覽林葆靈 2012 - 2024 旋轉木馬與摩天輪系列

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林葆靈/有摩天輪的夜景III

複合媒材、製圖膠片 61 x 76 cm 2013

私人收藏

LIN Bao Ling, Nocturne with Ferris Wheel III. Ink and acrylic on vellum, 61.5 x 76 cm . ©2013

Private collection

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I am honored to have been featured in the Tainan Museum of Fine Arts Monthly Newsletter. Being introduced in a publication by such an academic institution is a meaningful recognition for me. Although published by an academic institution, the article is written in clear and accessible language rather than dense or difficult prose, allowing a wider audience to easily learn about my work. 

My sincere thanks to the Tainan Museum of Fine Arts for the feature and introduction.

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Tainan Museum of Fine Arts MonthlyNewsletter

June 2016 Issue

LIN Bao Ling

LIN Bao Ling, the recipient of the first prize of 2011 King Car Emerging Artist Oil Painting Award, depicts landscapes with blurred details and fleeting moments through the use of flowing light and shadows. In doing so, he projects his inner emotions and a subtly mysterious atmosphere. The artificial light that symbolizes the progress of modern civilization is used in amusement park facilities that bring people a sense of happiness, resembling a shimmering dreamland of realization. However, while artificial light can bring hope and prosperity, it is founded on the consumption of the environment and resources, as well as the embellishment of commercial consumption. Thus, like the dialectical opposition of light and shadow, Lin attempts to present complex emotions that leave a lasting impression in his works.

Although his works are flat paintings, Bao Ling attempts to break through the conventions and limitations of traditional painting on two levels. First, he chooses to use drafting film instead of traditional canvas. The non-hydrophilic plastic material of the drafting film results in a weaker absorption of pigments on its surface. Combined with the artist's dilution of the pigments, the colors easily flow freely on the film's surface, breaking the restrictions of straight and curved lines formed by rulers. Second, Bao Ling utilizes photography to capture details of objects and the trajectory of light that the naked eye cannot observe, obtaining the thematic images in his works. This not only captures the omitted reality but also combines the fleeting memories of time and the treatment of spatial levels in his paintings.

LIN Bao Ling / "Nocturne with Ferris Wheel III" (detail)

Mixed media, drafting film 61 x 76 cm 2013

(English translated by ChatGPT)

👉Browse Lin Bao Ling’s Merry Go Round & Ferris Wheel series 2012-2024

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