南美館(Tainan Museum of Fine Arts)月訊 2016年6月號
林葆靈
曾於2011獲得金車新銳油畫獎首獎的林葆靈，由流動的光影描繪細節模糊、彷彿轉瞬即逝的地景，藉此投射自身內心感受，以及微帶神秘的精神氛圍。象徵現代文明進步的人造光，被使用在能夠帶給人們幸福感的遊樂園設施上，猶如閃爍發光的夢想實現之地；然而人造光雖能帶來希望與繁華, 背後卻奠基在環境與資源的消耗·以及商業消費的美化包裝，故而如同光和影的對立辯證，林葆靈也在作品中試圓呈現令人百感交集的複雜情感。
作品雖為平面繪畫，但林葆靈在兩個層面試圖突破繪畫既有的陳規與限制，其一，他選擇使用製圖膠片取代傳統畫布，由不易親水的塑膠材料所製成的製圖膠片，表面吸附顏料的效果較弱，再加上藝術家將顏料稀釋，故而顏料極易於膠片表面上自由流動，打破了受限於由尺規所構成的直線、曲線線條；其二，林葆靈借助攝影能夠捕捉肉眼所無法觀察到的景物細節以及光的軌跡等視點，來獲得作品中的主題畫面，除了取得遺漏的真實之外·也將流逝的時間記憶，與處理空間層次的繪畫相為結合。
林葆靈/有摩天輪的夜景III(局部)
複合媒材、製圖膠片 61 x 76cm 2013
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林葆靈/有摩天輪的夜景III
複合媒材、製圖膠片 61 x 76 cm 2013
私人收藏
LIN Bao Ling, Nocturne with Ferris Wheel III. Ink and acrylic on vellum, 61.5 x 76 cm . ©2013
Private collection
- Tainan Museum of Fine Arts Newsletter June 2016 Issue LIN Bao Ling LIN Bao Ling, the recipient of the first prize of 2011 King Car Emerging Artist Oil Painting Award, depicts landscapes with blurred details and fleeting moments through the use of flowing light and shadows. In doing so, he projects his inner emotions and a subtly mysterious atmosphere. The artificial light that symbolizes the progress of modern civilization is used in amusement park facilities that bring people a sense of happiness, resembling a shimmering dreamland of realization. However, while artificial light can bring hope and prosperity, it is founded on the consumption of the environment and resources, as well as the embellishment of commercial consumption. Thus, like the dialectical opposition of light and shadow, Lin attempts to present complex emotions that leave a lasting impression in his works. Although his works are flat paintings, Bao Ling attempts to break through the conventions and limitations of traditional painting on two levels. First, he chooses to use drafting film instead of traditional canvas. The non-hydrophilic plastic material of the drafting film results in a weaker absorption of pigments on its surface. Combined with the artist's dilution of the pigments, the colors easily flow freely on the film's surface, breaking the restrictions of straight and curved lines formed by rulers. Second, Bao Ling utilizes photography to capture details of objects and the trajectory of light that the naked eye cannot observe, obtaining the thematic images in his works. This not only captures the omitted reality but also combines the fleeting memories of time and the treatment of spatial levels in his paintings. LIN Bao Ling / "Nocturne with Ferris Wheel III" (detail) Mixed media, drafting film 61 x 76 cm 2013 English translated by ChatGPT |
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