Select Works
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林葆靈 LIN Bao Ling 壓克力與亮粉於畫布 Acrylic and glitter on canvas 159 x 90.5 cm 2026 |
不論是《夜曲系列》)或《沒有名字的小傢伙系列》，林葆靈都迎戰了「夜」這個繪畫史上的特殊題材。他不但深諳夜的色彩、夜的象徵、夜的元素，並能賦與它時代性、地方性與個別性。他筆下的夜是喧囂的，卻又能帶我們逃離喧囂；是現實的，卻又帶我們遁入想像；是沉靜的，卻又令人感到危機四伏；他的夜威脅著我們，卻也保護著我們；他的夜啟發著我們，並且引我們再發現了夜的無窮魅力。
—— 陳貺怡，國立台灣美術館館長（摘自〈夜世界——林葆靈的夜景繪畫〉
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林葆靈 LIN Bao Ling 壓克力於製圖膠片 Acrylic on multi-media vellum 91.5 x 172.5 cm 2024 |
Whether in the Nocturne Series or the Nameless Little Guy Series, Lin Bao-Ling confronts “the night” as a distinctive subject in the history of painting. He not only possesses a deep understanding of the colors of night, its symbolism, and its elements, but is also able to endow it with a sense of contemporaneity, locality, and individuality. The night in his work is clamorous, yet it allows us to escape from that very clamor; it is grounded in reality, yet leads us into imagination; it is tranquil, yet charged with a pervasive sense of danger. His night threatens us, yet also protects us; it inspires us, and invites us to rediscover the inexhaustible allure of the night.— Chen Kuang-Yi, Director of the National Taiwan Museum of Fine Arts
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林葆靈 LIN Bao Ling 壓克力於製圖膠片 Acrylic on multi-media vellum 74 x 151 cm 2023 |
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林葆靈 LIN Bao Ling 《紫與黃的夜曲 》Nocturne in Purple and Yellow 油彩與壓克力於畫布oil and acrylic on canvas 130 x 80 cm (60M) 2011 金車新銳油畫獎首獎作品First Prize–winning work of the King Car Oil Painting Award |
「紫與黃的夜曲」非常特別。利用稀薄顏料呈現水氣模糊的意象, 必須擁有紮實的繪畫基礎才得以將此技法顯現, 結合當代的創意與攝影的構思, 氛圍十足, 也能給予參賽者與觀者不同的思考空間。——評審長蘇憲法老師
The Nocturne in Purple and Yellow is exceptionally distinctive. Using diluted paint to evoke a misty, vapor-like atmosphere requires a solid foundation in painting to fully realize this technique. Combined with contemporary creativity and a photographic approach to composition, the work is rich in atmosphere and opens up new space for both participants and viewers to reflect.— Chief Judge Su Hsien-Fa (蘇憲法)
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林葆靈 LIN Bao Ling 《泛黃的夜》Yellowed Night 複合媒材於製圖膠片 Oil and acrylic on multi media vellum 59 x 141cm 2017 |
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林葆靈 LIN Bao Ling 油彩與壓克力於畫布 oil and acrylic on canvas 90 x 160 cm 2017 |
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林葆靈 LIN Bao Ling 壓克力於製圖膠片 Acrylic on multi-media vellum 79 x 225 cm 2018 |
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林葆靈 LIN Bao Ling 《雪夜藍調》Blues of a Snowy Night 壓克力，雲母粉與亮粉於製圖膠片 Acrylic, mica powder and glitter on multi-media vellum 61 x 142.5 cm 2025 |
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林葆靈 LIN Bao Ling 《雪國 IX》 Snow Country IX 壓克力於製圖膠片 acrylic on multi-media vellum 61 x 117 cm 2020 |
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林葆靈 LIN Bao Ling 《夜櫻短歌》A Short Song of Yozakura 壓克力，雲母粉與亮粉於製圖膠片 Acrylic, mica powder and glitter on multi-media vellum 61 x 118 cm 2025 |
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林葆靈 LIN Bao Ling 《雪國 XII》 Snow Country XII 壓克力與亮粉於製圖膠片 Acrylic and glitter on multi-media vellum 61 x 89 cm 2021 |
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林葆靈 LIN Bao Ling 壓克力與亮粉於製圖膠片 Acrylic and glitter on multi media vellum 61 x 153 cm 2023 |
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林葆靈 LIN Bao Ling 《南湖星空 II》Starry Night over Mt. Nanhu II 壓克力， 雲母粉於製圖膠片 Acrylic and mica powder on multi-media vellum 90 x 182 cm 2015 |
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沒有名字的小傢伙這個漫畫風的小人物 2006 年時即已存在，他無名、赤裸、無武裝、黑眼圈、無瞳孔、無手指，是林葆靈 「心中的小孩」，是畫家自我意識的投射，展現出人們堅強外表下孤獨、脆弱、易感的內心世界，與當代人類的生存景況。
—— 陳貺怡，國立台灣美術館館長（摘自〈夜世界——林葆靈的夜景繪畫〉）
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林葆靈 LIN Bao Ling 《畫家與死神》Death and Artist 壓克力與雲門粉於畫布 Acrylic and mica powder on canvas 65 x 53.5 公分 2020 |
The comic-style figure — The Nameless Little Guy— has existed since 2006. Nameless, naked, and unarmed, with dark circles under his eyes, yet pupil-less and fingerless, he is Lin Bao Ling’s ‘inner child’—a projection of the artist‘s own consciousness. He reveals the lonely, fragile, and sensitive inner world hidden beneath a resilient exterior, reflecting the existential condition of humanity in the contemporary world.“
— Chen Kuang-Yi, Director of the National Taiwan Museum of Fine Arts(Excerpt from The Night World—Lin Bao Ling’s Night Paintings)
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林葆靈 LIN Bao Ling 《水燈與熱茶》Water Lanterns and Hot Teas 壓克力與雲門粉於畫布 Acrylic and mica powder on canvas 49 x 110 cm 2020 |
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林葆靈 LIN Bao Ling 《黑暗中過河 III》 Wading across the River III 壓克力於製圖膠片 Acrylic and mica powder on multi-media vellum 163 x 83 cm 2028 |
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林葆靈 LIN Bao Ling 《雲海上的漫遊者 II》 Wanderer above the Sea of Clouds II 油彩 壓克力於畫布 oil and acrylic on canvas 30 x 72 cm 2018 |
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林葆靈 LIN Bao Ling 壓克力與亮粉於畫布 Acrylic and glitter on canvas 69 x 165 cm 2020 |
The little guy, this narrative element, adds stronger emotions to the night view, showing the soul of Romanticism, telling the night’s loneliness and threats, and the endless imagination it provides.
— Chen Kuang-Yi, Director of the National Taiwan Museum of Fine Arts(Excerpt from The Night World—Lin Bao Ling’s Night Paintings)
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林葆靈 LIN Bao Ling 《一齣電影的光束 II》A Play of Light and Shadows II 壓克力與亮粉於畫布 Acrylic and glitter on canvas 97 x 130 cm 2025 |
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林葆靈 LIN Bao Ling 《沒有名字的小傢伙》 The Nameless Little Guy 玻璃纖維、烤漆（底色）、以壓克力手工彩繪、亮粉、全消光抗 UV 保護漆 Fiberglass, automotive-grade paint, hand-painted acrylic, withered leaves, glitter, matte UV-protective varnish 13 × 21 × 28 cm 2025 ED. 7/20 |
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