2022年10月9日

《中國嘉德香港2022秋季十週年慶典拍賣會 - 亞洲二十世紀及當代藝術》頁009- 012

《中國嘉德香港2022秋季十週年慶典拍賣會 - 亞洲二十世紀及當代藝術》,頁009- 010
“CHINA GUARDIAN HONG KONG 10th ANNIVERSARY AUTUMN AUCTIONS 2022 - ASIAN 20th CENTURY AND CONTEMPORARY ART" pg. 009- 010

林葆靈 (b.1981)
慾望IV(A)、沒有名字的小傢伙(B)(一組兩件)(二〇二一(A)及二〇一八年(B)作)
壓克力彩 畫布(A);聚氨酯 彩繪 雕塑(B) 版數:4/20(B)

A: 100 × 80 cm. 39 3/8 × 31 1/2 in. B: 30 × 21 × 13 cm. 11 3/4 × 8 1/4 × 5 1/8 in.

款識
A: Lin Bao Ling 2021(右下)
B: 4/20 Lin Bao Ling 2018(底座)
來源
亞洲私人收藏

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「小傢夥」的奇幻旅程
林葆靈的山間奇遇

「描繪夜是為了擁抱夜,也為了更懂得珍惜光。」

這是林葆靈在個人Facebook上為自己所下的註解。這位1981年出生的台灣青年藝術家,擅長以朦朧紫色調描繪夜景,雖以油畫為媒材,但獨樹一格的揉合水墨表現技法,將夜景化為轉瞬即逝的光影流動,令人耳目一新。2006年自新加坡拉薩爾藝術學院畢業,後入讀國立台灣師範大學美術系研習水墨的他,在多重媒材間自由遊走。2010年他獲邀參加美國佛蒙特藝術駐村計劃,在結束後於紐約第一銀行舉行個展。自2006年起,林葆靈展開「沒有名字的小傢夥」系列之作。藉由一身軀瘦小卻背著大行囊的「小傢夥」為主角,在畫中展開旅程,並在其「夜景」主題中不斷轉換,演繹一齣齣生命奇遇。2021年春,其作在嘉德香港首次上拍,兩件作品均以逾低估價5倍成交,備受藏家追捧。是次,我們帶來《慾望IV、沒有名字的小傢夥》(拍品編號5)及《出走》(拍品編號6)以餮藏家。

生命慰藉,治癒之旅

《慾望IV、沒有名字的小傢夥》分別由一畫作和雕塑組成。在雕塑《沒有名字的小傢夥》中,主角正專心致志地舉著畫筆畫畫。他雖頭戴時尚的毛線帽,卻手持傳統的中國毛筆,猶如林葆靈本人的寫照――決心將傳統中國畫元素融入西畫的形式中。又如在畫作《慾望IV》中,藝術家一反過去聚焦「大風景小人物」的傳統中國山水畫構圖,將鏡頭「拉近」,將視覺中心聚焦於主角的面部表情之上。畫面中,「小傢夥」於暗夜中獨坐於篝火旁,鬆軟的毛線帽套在頭上抵禦嚴寒,而額頭與身上則纏繞白繃帶,遮住肉身的纍纍傷痕。他手拿木棍靠近篝火,上面插著兩朵蘑菇,像是在炭烤著晚餐。若再仔細觀之,「小傢夥」早已嘴角微張,面對眼前的食物直流口水……巧妙地描繪出對溫暖食物的嚮往,點題「欲望」,撫慰空虛的味蕾與靈魂。在其身後,一隻孤單的小松鼠亦看著眼前的食物,露出欽羨之情,忍不住向前靠近,欲一嘗其味。而旺盛的火焰直聳入天空,在寂靜無垠的星河襯托下,燃燒出旺盛的生命力,更在寒冷的夜晚為人帶來一絲溫暖的慰藉。「小傢夥」就這樣與食物和篝火相依偎,成為其在茫茫山谷間休憩、舔舐傷口,再重新出發的中轉站,令此成為一場治癒之旅。

林葆靈 /《慾望 IV》/ 壓克力與亮粉於畫布/ 100 x 80 公分/ 2021
LIN Bao Ling / Desire IV/ 100 x 80 cm / Acrylic and glitter on canvas / 2021



穿梭古今,奇幻歷程

而《出走》則以林葆靈標誌性的豎直式構圖,在暗夜中展現出高聳的山崖,由下至上的仰視視角更凸顯出此景之陡峭。茫茫蒼穹下,只見「小傢夥」孤身一人以身歷險,正拉著細長的繩索欲穿越山谷。長繩的一頭拴在木樁上,另外一頭則延伸至畫外,使有限的畫布空間擴張至無限。而主角的頭上戴著照明的夜燈,他一隻手抓著身邊的樹幹,試探性的伸出一隻腳,內心堅定地前行。其瘦小的身軀與偌大的山谷形成鮮明對比,而遠方城市的萬家燈火被重山所隔絕,唯有高懸的明月與之為伴。此情此景,雖令人備感環境之艱險,卻又在黑暗中看到他面對逆境,奮力求生的希望與力量。畫面中的山巒與月夜展現傳統中國畫式的優雅與靈動,而主角卻呈現出極富當代性的「卡漫」造型,展現藝術家別出心裁的巧思,一場穿梭古今的奇幻歷程,正要展開。

林葆靈 /《出走》/ 壓克力與亮粉於畫布/ 146 x 82 公分/ 2021
LIN Bao Ling / Night Climb / 146 x 82 cm / Acrylic and glitter on canvas / 2021



估價 :
HKD: 48,000 - 68,000
USD: 6,100 - 8,700

成交價:
HKD: 192,000

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Lin Bao Ling (b.1981)
Desire IV (A); The Nameless Little Guy (B) (Set of two pieces)(Painted in 2021 (A); executed in 2018 (B))
Acrylic on canvas(A); polyurethanes paint sculpture (B) Edition: 4/20 (B)

A: 100 × 80 cm. 39 3/8 × 31 1/2 in. B: 30 × 21 × 13 cm. 11 3/4 × 8 1/4 × 5 1/8 in.

A: Signed in English and dated on bottom right
B: Numbered, signed in English and dated on the reverse of the base
PROVENANCE
Private Collection, Asia


Price estimate:
HKD: 48,000 - 68,000
USD: 6,100 - 8,700



《中國嘉德香港2022秋季十週年慶典拍賣會 - 亞洲二十世紀及當代藝術》,頁011- 012
“CHINA GUARDIAN HONG KONG 10th ANNIVERSARY AUTUMN AUCTIONS 2022 - ASIAN 20th CENTURY AND CONTEMPORARY ART" pg. 011- 012

林葆靈 (b.1981)
出走(二〇二一年作)
壓克力彩 畫布
146 × 82 cm. 57 1/2 × 32 1/4 in.
款識
Lin Bao Ling 2021(右下)
來源
亞洲私人收藏

Lin Bao Ling (b.1981)
Night Out(Painted in 2021)
Acrylic on canvas

146 × 82 cm. 57 1/2 × 32 1/4 in.


Signed in English and dated on bottom right
PROVENANCE
Private Collection, Asia

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The Fantastical Journey of “The Little Guy”
Lin Bao Ling's Adventure in the Mountains


Lin Bao Ling, born in 1981, is particularly fond of the theme of nightscapes. Using solid painting techniques, he reveals the dramatic light and shadow changes in the dark night, the sometimes focused and sometimes hazy visual sensations, and the quiet exploration of travel from his imagination that refreshingly unfolds onto the canvas. After graduating with honours from the LaSalle College of the Arts in Singapore in 2006, he enrolled in the Department of Fine Arts of the National Taiwan Normal University to study ink wash painting, moving freely between multiple media. In 2010, he was invited to the Vermont Art Village in the United States for a residency, and then held a solo exhibition at the First Bank of New York, where his works were included in the Bank's collection. Since 2006, he has been working on the The Nameless Little Guy series. The Little Guy has a small body but carries a large backpack, and is often portrayed in the paintings as embarking on a journey. First auctioned at China Guardian Hong Kong in 2021, both works sold for five times their estimate, and were highly sought after by collectors. This time, we present Desire IV, The Nameless Little Guy (Lot 5) and Night Out (Lot 6), works that incorporate his classic vocabulary.


The Healing Journey of a Life of Comfort


Desire IV, The Nameless Little Guy is a set of two pieces consisting of one sculpture and one painting. On the sculpture The Nameless Little Guy, the artist depicts a young little guy who is painting with traditional Chinese brushstroke, thus becoming a self-depiction of the artist himself. He is wearing a contemporary beanie hat to reveal his young age, which is a contrast to the brush pen he is holding, demonstrating to the dedication of the artist to combine contemporary and traditional style in his artwork. In painting Desire IV, the artist deviates from traditional Chinse landscape painting composition that focuses on “big landscapes and small figures”, and enlarges the visual centre to focus on the protagonist's facial expressions. In the painting, the Little Guy is sitting alone by the campfire in the darkness of the night; his woollen hat is placed warmly on his head to protect him from the cold, and white bandages are wrapped around his forehead and body to cover his heavily scarred body. He sits near the bonfire with a wooden stick in his hand, and barbecuing two mushrooms on the stick. The Little Guy's mouth is slightly open, drooling, as he stares at the food in front of him… The artist ingeniously uses the audiences' desire for warm food as the theme of “desire”, and uses food to soothe empty taste buds and souls, bringing a touch of warm comfort to people in the cold night, making this a journey of healing.


A Fantastical Journey Through the Past and the Present


Night Out uses Lin Bao Ling's iconic vertical composition; the bottom-up perspective accentuates the steepness of the scene, highlighting the towering cliff in the dark night. Under the vast sky, only the Little Guy is visible, alone on an adventure and walking on a long and thin rope to cross the valley. One end of the long rope is tied to a stake, while the other end extends beyond the painting, suggesting an unknown path ahead. The protagonist wears an illuminated night light on his head. He grabs the tree trunk beside him with one hand, hesitantly stretches out one foot, and moves forward with grit. His thin and small body is in stark contrast to the large valley, and the lights of thousands of homes in the distant city are isolated by the heavy mountains, only accompanied by the hanging bright moon. This scene shows the dangerous of the environment, but also convey the Little Guy's bravery when he is facing the darkness. The composition of mountains and moonlit night in the painting reveals the elegance and flexibility of traditional Chinese painting, while the Little Guy represents a very contemporary cartoon shape, demonstrating a marvellous interpretation of the interweaving of the past and the present.


Price estimate:
HKD: 48,000 - 68,000
USD: 6,100 - 8,700

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https://www.cguardian.com.hk/tc/auction/auction-details.php?id=321977

《中國嘉德香港2022秋季十週年慶典拍賣會 - 亞洲二十世紀及當代藝術》
China Guardian Hong Kong 10th Anniversary Autumn Auctions 2022
ASIAN 20 th Century AND Contemporary ART


 


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