“艺术不是消遣。艺术是一种斗争，是一种结构复杂，能把人压得粉碎的机轮。我不是哲学家，我并不希冀摆脱掉痛苦，也不期望找到一种能让我超凡脱俗和看淡世事的公式。痛苦也许正是能给予艺术家以最大表现力的那种东西。”-摘自罗曼.罗兰（Romain Rolland）的《米勒传》
"People want to find a "meaning" in everything and everyone. That's the disease of our age, an age that is anything but practical but believes itself to be more practical than any other age"
- Pablo Picasso (畢卡索）
2007年7月21日
2007年7月20日
2007年7月17日
2007年7月12日
2007高雄國際貨櫃藝術節徵件
Kaohsiung International Container Arts Festival, 2007
Sustainable Cosmopolis: Eco-container Art Project
Call for Entries:
Application Guidelines
Application Form
徵選辦法
徵選視覺藝術展附件表格--中文版.doc
消息來源：高雄市立美術館 / KAOHSIUNG MUSEUM OF FINE ARTS：http://www.kmfa.gov.tw
2007年7月9日
老師 學長學姐的合展："Whose playground is this?"
PKW's 9th Annual Group Show
Plastique Kinetic Worms
63 KERBAU ROAD
SINGAPORE 219185
Opening Reception on Thursday 12th July 2007, 6.30-8.30pm
Exhibition runs from 13th July till 28th July 2007
See the world of art in a different light with Plastique Kinetic Worms's latest exhibition Whose Playground Is This? on from 13th July to 28th July 2007. An exhibition that highlights the redefinition of the curator's role behind the process of putting on A SHOW today, right from the beginning even before an artist creates the work, (Whose Playground Is This?) looks at the very foundation of art exhibitions AND the artist-curator relationship.
Whose Playground is This? toys around with current definitions of artist and curator, and the process of how we view and interpret art. The curator, an important influence on an artist's exhibition, used to mean just cataloguing, interpreting and documenting artefacts and collections of institution. Today's world of art, however, has started to blur the line between artist, curator, collector and museum director, leading to the question of just whose playground does art belong to?
"We wanted to explore all these questions about ownership of exhibition work. Really, where does one work stop and another start? Can an artist's success solely come out of his or her own work and ability, how much of an influence belongs to the curator who frames their work and in some cases entire art practices? And don't forget even patrons or collectors – how much credit (of even an artist's fame) should go to them?" says David Chew, curator for Whose Playground is This.
Whose Playground is This? Features the work of artists Ana Prvacki, Jeremy Sharma and Tang Ling Nah.
Prvacki created concurrently with a curator a video work titled The Wild Goose-step (and then she said); Jeremy Sharma turns the tables on curator by making them the subject of an artwork, and then shoots them (both metaphorically and literally); and Tang Ling Nah plays with different levels of meanings by putting on the curator hat and creates an artwork that sees her curating an exhibition within an exhibition.
Gallery opening hours:m11am – 6pm (Tuesdays to Saturdays)
Closed on Sundays, Mondays and Public Holidays
2007年7月7日
朋友們的合展: 'A Year After'（幫推^_^）
A Year After is an exhibition showcasing paintings produced by six emerging artists. This exhibition embodies development and progress of each individual artists upon their completion after their graduation about one year ago. Artworks produced for this exhibition will showcase paintings of mixed media and single media executions. From abstract to representational works, this group of six aims to bring forward each of their individual approach in art making as a gesture of thoughts on subjects that they find alluring to garner audiences.
A group exhibition showcasing paintings and mixed media works by
Arnewaty, Dicky Hamid, Fazrullah, Jase Lim, Tay Lay Leng and Yukari Uno.
Plastique Kinetic Worms
61 KERBAU ROAD
SINGAPORE 219185
Opening Reception on Thursday 12th July 2007, 6.30-8.30pm
Exhibition runs from 13th July till 28th July 2007
Viewers will get a glimpse of Tay Lay Leng's misty and emotion-packed semi-abstract landscape paintings which she finds inspiring from her personal interaction with nature that fed her interest with it's elements.
Jase Lim's objectives of soothing and calming the mind, coupled with her interest to induce contemplation to her viewers are presented in her abstract paintings influenced by the tranquillity she senses at lotus ponds and her belief that art can influence humanity to a greater benefit.
Dicky Hamid's interest in abstract layering, mildly spray paint envelopes layers upon layers of watercolor on paper which includes his surrealistic and metaphysical approach in making his abstract works produces images that he hopes will evoke a range of emotions in his viewers.
Fazrullah's interest in painting urban landscapes was portrayed in a way, to him, a made picture can be used to give viewers a ‘mimic similarity’ of a first chapter to a book without a title or an ending.
Yukari Uno infused mixed media works in order to share some of her childhood memories of playing in the natural landscape.
Arnewaty's repetitive ‘pattern-making’ with layer after layer of semi-transparent paint-filled brush strokes, brings out interesting visual anomalies, which resulted her works into ‘imagery representations.'
All artists are graduates of LASALLE College Of The Arts.
Gallery opening hours are from 11am – 6pm (Tuesdays to Saturdays)
Closed on Sundays, Mondays and Public Holidays
2007年7月5日
2007年7月4日
[轉貼] 檳城藝術家駐村計劃 ABN AMRO - Malhom AIR Program
藝術家資格：徵求國內外的專業視覺藝術家；任何背景的視覺藝術家均可申請
地點：Balik Pulau, 檳城（Penang）, 馬來西亞Malaysia
主辦機構：Malihom荷蘭銀行以及Wawasan Open
邀請人數：每年邀請八位藝術家 (四位來自馬來西亞；四位來自其他國家)
計畫特色：
提供給挑選出來的藝術家六個月的住宿及工作室空間，並包含預備零用金和定期的生活津貼
零用金： 每月2,000馬幣MYR
預備零用金：2,500馬幣MYR（今年首次補助）
期間：六個月
申請時間相關資訊：
活動時間
第一梯次 2008.1.5~6.30
第二梯次 2008.7.5~12.31
申請截止日期：
第一梯次 前一年之6/30
第二梯次 前一年之12/31
申請需求：
作品集
駐村計畫書
推薦信
申請資格證明
藝術家自述
身份證明文件
其他資料請上www.malihom-air.org
ABN AMRO - MALIHOM ARTISTS IN RESIDENCE PROGRAM
OFFICE
51 - 23 Menara BHL
Jalan Sultan Ahmad Shah
Penang 10050
Malaysia
消息來源：TAVA - 台灣藝術村（聯盟）
http://du.yiima.com.tw/index1.htm
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